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He stars as Evan, an architect living in a coolly sprawling minimalist home filled with colorful, modern art in the hills outside Los Angeles. As a piece of social satire, “Knock Knock” winds up being not just toothless but anticlimactic.īut it does feature Keanu Reeves, who’s game for all the craziness that comes his way in the leading role.
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Roth skillfully builds tension until the moment when everything snaps and goes insane, followed by a series of shrill and repetitive scenes of increasing torture and destruction, all of which leads to The Big Reveal of what inspired these vicious games.
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His intention, he says in the film’s press notes, was to demonstrate how much more quickly we experience everything in the social media age-both the delights and the torments-and how the rules of civilized society no longer seem to apply.īut he makes his point far clearer in the notes than he does in the movie itself. (The two actresses who were its stars, Sondra Locke and Colleen Camp, get producing credit here while Camp appears in a brief supporting role as a nosy friend).
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The alternate ending to Knock Knock would have been more sensible, and offered the story several additional layers that it desperately needed.Roth’s film, which he directed and co-wrote, is an update of a trashy little exploitation flick called “Death Game” from 1977. In Knock Knock's theatrical ending, the audience can assume Evan's wife leaves him, and the suffering he faced continues to impact his life. It could've added nuance to a movie that, as it stands now, has a simplistic ending. Had it concluded with Eli Roth's alternate ending, it could've expanded the story beyond the assumption that Genesis and Bel are just senseless brutalizers. However, this ending likely wouldn't have sent the right message, given Bel and Genesis' potential backstory.Īt its core, Knock Knock is a story about victims, survivors, and predators. When he knocks on the door of their next victim's home, it could've given him the ability to find answers or enact revenge on them for ruining his life. Evan represents something evil from their past that Bel and Genesis cannot escape it's clear that the two women went through something awful in their lives, which in turn caused them to turn their tormentors into their victims.

Their reasoning for targeting men like Evan is never fully revealed, but it could've been, had the alternate ending offered the opportunity for a Knock Knock sequel. While Genesis and Bel are tormenting Evan, it's alluded that they've experienced severe trauma and assault, which led them to attack men and - more specifically - fathers.
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It brings everything full circle, and sets up an interesting revenge plot for Reeves' character that could've been utilized in a sequel. Once he does, Evan knocks on their door and they respond with " Who's there?" mirroring the beginning of the movie. Evan uses the tracking device on the dog's collar in order to find them. On their way out, they steal his family dog, Monkey. The alternate ending to Knock Knock sees Bel and Genesis leaving Evan's house, presumably heading toward a new victim. Here's how altering the final moments of Knock Knock could've made the movie better, and potentially set it on a path toward getting the sequel treatment.

Eli Roth wrote an entirely different ending that could've set up a sequel to Knock Knock, and makes the elements of abuse present throughout its entirety make much more sense than the theatrical ending. Related: Knock Knock: One Change That Would Have Made The Movie BetterĪfter torturing Evan for nearly an entire day, the movie ends with Genesis and Bel burying him up to his neck, uploading a video of him having sex with Bel, and leaving him to be found by his wife. Knock Knock includes some of these infamous themes, particularly the mixture of brutality with sex.

This sub-genre is often defined by its immense amounts of blood and carnage mixed with sexually explicit material, such as erotic situations and images.
His movie Hostel awarded him as one of the pioneers of the sub-genre now known as "torture porn". Director Eli Roth is known for including sexual overtones in the majority of his works within the horror genre. After allowing them into his home, the girls coerce him into having sex, only to later inform him that they're underage they torment him with the threat of calling the police. Knock Knock stars Keanu Reeves as Evan Webber, a loving husband and father who falls victim to the antics of Genesis (Lorenza Izzo) and Bel (Ana de Armas). Eli Roth's home invasion horror movie Knock Knockhas an alternate ending that makes more sense than its current one, and could've even set up a sequel - here's how.
